reviews  05.10.12  Nguyen Vu Thuc Linh

Last Saturday in Utrecht, over the course of almost twelve hours of the dense congress ‘Beyond What Was Contemporary Art Continued’, which was the third Former West Research Congress, various cultural producers, mainly from Europe and North Africa contributed to the discursive process of the undoing of the West.

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boeken  19.03.12  Maaike Lauwaert

BAK's eerste publicatie in de serie 'Critical Readers in Artists' Practice' is gewijd aan het werk van Rabih Mroué, de Libanese acteur, muzikant, regisseur, toneelschrijver en beeldend kunstenaar.

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reviews  19.12.11  Domeniek Ruyters

De projectie is wat bleek, maar de impact blijft enorm. Christina Lucas rekent af met de Europese beschaving.

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boeken  27.08.11  Joram Kraaijeveld

Waar is de horizon van het wetende Westen?

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features  27.05.11  Sanneke Huisman

Maria Hlavajova discusses the project Call the Witness, which adresses the situation of the Roma within European culture and society.The project has an exhibition platform in both BAK in Utrecht and in the Roma Pavilion at the Venice Biennale, opening on June 1st.

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reviews  27.03.11  Jolien Verlaek

Als een voyeur bespiedt Olga Chernysheva de omgeving van haar geboortestad Moskou, in In the Middle of Things.

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reviews  24.11.10  Önder Özengi

'What can be demanded of a new generation, if its parents never dream at all?' The follow-up of last year's congress focuses on the notion of new horizons in politics and art after 1989 - and speakers were not afraid to ask provocative questions.

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30/09/10  Gésine Borcherdt

In an exhibition at BAK, curator and art historian Simon Sheikh speculates on the possibilities of life in an age that has moved beyond political chaos. What are the perspectives? Are there new reference points?

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'Rabih! Rabih!'
Rabih Mroué in BAK

reviews  22.07.10  Nat Muller

Utrecht
BAK, basis voor actuele kunst
21/05/10 - 01/08/10

Witness, narrator, chronicler, participant and agent. In I, the Undersigned, Rabih Mroué's first solo-exhibition as a visual artist, he questions the role of the artist in the charged context of post-war Lebanon, focusing on the political and historical amnesia.

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