10/08/09  Pelin Tan

Two common questions could come up when curating the Turkish pavilion in the Venice Biennale, one being how to create manoeuvres in order to escape from ‘national pavilion representation’ and the other, how to create a specific visual engagement about social, economical and political issues within the ‘glamorous’ city marketing of the biennal.

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Ahmet Ögüt

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