reviews  15.06.12  Maaike Lauwaert

'Seeing your gallerist at work is like hearing your parents having sex’, John Baldessari once commented on the awkwardness of visiting art fairs. Maaike Lauwaert visits Art Basel and Liste and connects her observations to three striking quotes.

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reviews  07.05.12  Huib Haye van der Werf

Seen as the new kid in town and with a surprising location and architecture, Frieze New York positions itself against the established Armory Show just weeks after it closed its doors.

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reviews  16.10.11  Alexander Mayhew

This year's Frieze Art Fair raises the question: did we only come here for decoration, for art for art’s sake?

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reviews  19.06.11  Alexander Mayhew

Alexander Mayhew is in search of the real gems amongst the shiny and large art objects that dominate this year’s Art Basel.

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reviews  24.01.11  Judith de Bruijn

What is going on in the art world in India? A report from India's most important art fair.

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reviews  17.10.10  Alexander Mayhew

London
14/10/10 - 17/10/10

With the prospect of substantial art cuts, artists are more than ever dependent on the market. How does this translate to this years Frieze Art Fair?

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reviews  21.06.10  Alexander Mayhew

Basel
Art Basel, Art Statements, Volta, Liste, Art Public, Art Unlimited, Design Miami/Basel
16/06/10 - 20/06/10

Who's hot and who's not? Alexander Mayhew reports from Art Basel 2010 and all its satellite fairs.

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Now that the market is in charge, there seems little left of the critical awareness of Dutch designers. No one still talks about the modernist ideals of affordable, good products or the postmodern investigation of the limits of design. Designers are diving en masse into producing one-of-a-kinds and small editions that find eager buyers among wealthy collectors.

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02/06/08  Paco Barragán

Art fairs are more popular than ever. If in the 1990s every city wanted a biennial, today they all want an art fair with international allure. It seems just a question of time before the art fair pushes the biennial out of everybody’s mind.

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Art historian and advisor Renée Steenbergen has long argued for more attention to cultural patronage in the Netherlands, although not without critical comment. Her book, De nieuwe mecenas. Cultuur en de terugkeer van het particuliere geld, has recently been released.


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