Art in Public Space: Who Asked for It?

Art in Public Space: Who Asked for It?

features  18.06.10  Wouter Davidts

A project by Lieven de Boeck for the Zuidas in Amsterdam brought Wouter Davidts in contact with the administrative levels involved with public space in the Netherlands and their motives for involving art in those spaces. It was an astonishing experience.

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Inspired by the computer game Football Manager, in which you are the trainer of a top football club, Juha van ’t Zelfde dreams of the game Museum Manager, in which you get to run a top museum.

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Returning to a Homeland That’s Not

Returning to a Homeland That’s Not

03/06/10  Sofia Hernández Chong Cuy

After having lived in New York for a few years, curator Sofía Hernández Chong Cuy accepted a job as director of an art centre in Mexico City. A report on the differences between one metropolis and the other.

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Disappointment with a year of Obama prompts artist Tyler Coburn to reflect on the disappearance of irony in the political area, and society as a whole.

Potato Eaters Love Mondrian Too

Potato Eaters Love Mondrian Too

12/02/10  Lucette ter Borg

Art and television have always been a painful combination in the Netherlands. Thanks to AVRO broadcasters and the Netherlands Foundation for Visual Arts, Design and Architecture, television has a whole slew of art commentators, but a worthy successor to Pierre Jansen is not yet among them.

The Joke of the Great Nothing

The Joke of the Great Nothing

07/01/10  Merijn Oudenampsen

After the proclamation of the end of history, now the future is in crisis as well. How do we escape this stalemate?

Design for the New Citizen

Design for the New Citizen

01/12/09  Guus Beumer

If we are to believe the polls, the political age of Harry Potter Senior will soon be coming to an end and a bleached-blonde half-blood will be assuming the throne. Who ever imagined that the drama of the multicultural society would reach such an apotheosis? What does it say about the idea of assimilation, represented in such exemplary fashion by our Indonesian compatriots?

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Imagine a high-end supermarket: you stroll by with your trolley whilst enjoying a cup of fair trade espresso, examining the goods, checking expiry dates, ingredient composition and place of origin and production. Your enjoyment of your shopping experience is partly derived from ‘being on the right end of things’, a moral sense of wellbeing. This is a useful imaginary exercise and the analogy with the art world (or art market) is not entirely far-fetched.

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In the recent post-election uprisings in Iran, all the forgotten slogans from the revolution of 1979 were shouted by a generation that had not experienced that revolution. They were appropriating them for the greater glory of their own political desires.

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