features 02.03.12 Domeniek Ruyters
Already in 2008 The Wall Street Journal wrote that major collectors would no longer be bequeathing their collections to museums in accepted 20th-century tradition – sometimes in exchange for a plaque with their names in a gallery – but preferred to keep their collections for museums they intended to build themselves. The future of the museum might be private. This is the introduction of the museum special in Metropolis M No 1-2012.
news 18.10.11
In recent days, the local Labour party (PvdA) in Eindhoven has criticised the museum policy of the Van Abbemuseum. They demand the museum to make more revenue with their exhibition programme - in other words, make so-called 'blockbuster' exhibitions.
reviews 29.06.11 Nicola Bozzi
The works in the exhibition Act / Out at Onomatopee suggest a will to to spring out into the public spaces that inspired them.
Six fragments of the live show video artist Chris Cunningham performed at the STRP festival in Eindhoven on November 18th, 2010. Cunningham recently premiered his first video in four years at the MoMA in New York and is now working on his first audiovisual album.
features 23.07.08 Clare Butcher
The youngest generation from "The School of Cool" let themselves be heard (and seen).
Re-doing Kaprow
21/12/06 Hinrich Sachs
How do you make a retrospective of an artist who swore his whole life by the once-only event? Haus der Kunst in Munich and the Van Abbemuseum are venturing on a survey of Allan Kaprow by means of both documentation and so called 're-inventions' in the spirit of the maker. This is not entirely without its problems.
Subtle and deliberate, Richard Wright's wall drawings are characterized by an enduring elegance. The designs hover between op art, minimalism and the psychedelic with a modern touch, responding directly to contemporary culture and, more literally, to the architcture of the situation at hand. For his Dutch debut at the Van Abbemuseum, Anja Dorn spoke with Wright about tricky paradoxes, frescoes and other fascinations.