reviews 09.04.12 Jolien Verlaek
Seth Siegelaub withdrew from the New York art scene in the early seventies. In relative seclusion, he started collecting textiles from all corners of the world. Part of his extensive collection is now shown in public for the first time in Raven Row in London.
reviews 01.02.12 Boukje Cnossen
A report on Tate's Topology series: scientists en philosophers explore the work of Brazilian artist Ernesto Neto.
reviews 09.01.12 Rianne Groen
Pablo Bronstein, Sarah Jones and Michael Raedecker selected this year's Bloomberg New Contemporaries, giving an overview of what might be coming in the art world.
reviews 02.12.11 Boukje Cnossen
Who wouldn't sign up for something called 'Dialogue and Exchange in the Art Ecology'?
reviews 16.10.11 Alexander Mayhew
This year's Frieze Art Fair raises the question: did we only come here for decoration, for art for art’s sake?
reviews 03.10.11 Boukje Cnossen
This summer, Elad Lassry's photographs and an enchanting video work were shown at ILLUMInations in Venice, giving the Los Angeles based artist a wider European audience. His first solo show in London opened last week at the White Cube.
reviews 17.08.11 Rianne Groen
The highlights in the graduate shows of two of London’s best art schools.
reviews 07.03.11 Rianne Groen
While the larger museums and institutions in London are busy determining who the most important British artists of the moment are, commercial galleries take their chance of highlighting one of their represented artists in these shows.
Never before did an artist win the Turner Prize with a sound installation. Susan Philipsz was this year's art world favourite to be awarded the prize, and she did. In the Tate report above you can see the artist collecting the prize from Miuccia Prada and give a shout out in her speech to the protesters outside the building: 'Art and education is a right not a privilige and I support the arts against the cuts'. Read the Guardian report here.
reviews 17.10.10 Alexander Mayhew
London
14/10/10 - 17/10/10
With the prospect of substantial art cuts, artists are more than ever dependent on the market. How does this translate to this years Frieze Art Fair?