![](https://metropolism.com/wp-content/uploads/2022/10/6434.jpg)
OUT NOW: METROPOLIS M No. 5
![](https://metropolism.com/wp-content/uploads/2022/10/6420.jpg)
SPECIAL: SURVIVAL
How can we respond to the massive budget cuts to the cultural sector in the Netherlands?
![](https://metropolism.com/wp-content/uploads/2022/10/6425.jpg)
Frieze is 20 – Interview with Matthew Slotover, co-founder of Frieze.
![](https://metropolism.com/wp-content/uploads/2022/10/6421.jpg)
The work of the Cuban artist Wilfredo Prieto grows increasingly minimal.
![](https://metropolism.com/wp-content/uploads/2022/10/6423.jpg)
Architect and theorist Markus Miessen wants to break away from culture in search of the greatest common denominator and argues for a politics that magnifies contrasts.
![](https://metropolism.com/wp-content/uploads/2022/10/6424.jpg)
Postcolonialism in the Netherlands.
![](https://metropolism.com/wp-content/uploads/2022/10/6430.jpg)
Art and science are intermingling, as we see in the work of artists Kianoosh Motallebi, Maarten Vanden Eynde and Edith Dekyndt.
![](https://metropolism.com/wp-content/uploads/2022/10/6426.jpg)
Sven Augustijnen’s newest film looks at Belgian colonial history in Congo. He reveals how searching for truth in an art documentary is a pointless and futile effort.
***
Tirdad Zolghadr is Metropolis M’s newest regular columnist.
***
Documenta 13 thinks ahead. Chus Martínez on the publication series 100 Notes – 100 Thoughts
***
And further (Dutch only):
Nina Yuen’s first museum solo show; Vincent Vulsma’s conceptual vandalism; a typography of speed; the young artists Michiel Ceulers and Magdalena Pilko; self-help books on sponsoring art; reviews from Amsterdam, Frankfurt, Middelburg, and more.
BUY METROPOLIS M No 5 HERE.
Metropolis M