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Adorno believed that the greatest danger to American democracy lay in the mass-culture apparatus of film, radio, and television. Indeed, in his view, this apparatus operates in dictatorial fashion even when no dictatorship is in place: it enforces conformity, quiets dissent, mutes thought. 

If Adorno were to look upon the cultural landscape of the twenty-first century, he might take grim satisfaction in seeing his fondest fears realized.

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