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The art machine: The Centre Pompidou at 40. As the Parisian cultural behemoth hits a landmark anniversary, figures from the world of art and architecture discuss its legacy.

Rem Koolhaas, architect, founder of OMA architects: “It was a perfect project which, rather than initiating a new period, turned out to be the end of a period.”

Hans Ulrich Obrist, artistic director, Serpentine Galleries: “One goes with the other: the amazing building and the amazing programme.”

Iwona Blazwick, director, Whitechapel Gallery: “They were bold enough to have a thesis and ask questions through exhibitions.”

Mona Hatoum, artist: “Its exoskeleton and visible entrails give you a feeling of non-conformity and freedom.”

Philippe Parreno, artist: “It’s a machine that produces form, and form produces collectivity.”

Massimiliano Gioni, artistic director, New Museum, New York: “In its shameless embrace of technology and modernity, it also expressed an idea of art and culture as engines of change.”

An extreme interpretation of a changing world. Renzo Piano looks back on his creation and how it influenced subsequent projects.

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