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‘No hay futuro sin futuro indigena’ (‘There is no future without indigenous future’) – Talking to Sara Flores who is representing Peru at the Venice Biennale

Mirella Moschella

23.07.2026

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Beyond Collateral Status – Palestinian Presence at the Venice Biennale

Nat Muller

05.07.2026

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Alternating Rhythms – OFFSPRING’s Constant Ballads at De Ateliers

Rebeka Erdélyi

07.06.2026

recensie

The Flesh is Weak – 8 Favourites from the 61st Venice Biennale

Nadeche Remst

11.05.2026

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To look again to the grandparents / volver a ver a los abuelos – Techno-Ancestrality IMPAKT Festival & exhibition (still open)

Mirella Moschella

11.05.2026

recensie

Frustrating the Infrastructure – The Venice Biennale 2026 Strike

Alina Lupu

09.05.2026

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Held in mid-air, with nothing to rely on – Rosalind Nashashibi’s feelings of un-homing in her show Stones at KM21

Elâ Atakan

28.04.2026

recensie

News

23.04.2026

Turner Prize Short List – Simeon Barclay, Kira Freije, Marguerite Humeau and Tanoa Sasraku read more

23.04.2025

Nnena Kalu, Rene Matić, Mohammed Sami and Zadie Xa shortlisted for the Turner Prize. read more

27.01.2025

National Gallery of Art Ends Diversity Programs. The museum says it is complying with an … read more

27.01.2025

Thieves use explosives to steal gold ‘masterpieces’ from Dutch museum. read more

The bag and the spear – reflections on Ursula K. Le Guin’s The Carrier Bag Theory of Fiction

Hannah Fleishman

04.03.2026

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‘Sustainability in and of itself is an empty signifier’ – in conversation with Jeff Diamanti and Colin Sterling on sustainability, art and heritage

Ruby de Vos

22.03.2026

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Recensies

Alternating Rhythms – OFFSPRING’s Constant Ballads at De Ateliers

Rebeka Erdélyi

07.06.2026

recensie

To look again to the grandparents / volver a ver a los abuelos – Techno-Ancestrality IMPAKT Festival & exhibition (still open)

Mirella Moschella

11.05.2026

recensie

Held in mid-air, with nothing to rely on – Rosalind Nashashibi’s feelings of un-homing in her show Stones at KM21

Elâ Atakan

28.04.2026

recensie

Beyond Filling in the Gaps – Practicing Freedom and Refusal at Metro54

Rebeka Erdélyi

24.04.2026

recensie

Collapse and Emergence – At the End(s) of the World: The Ground is Shifting at Garage Rotterdam

Anastasia Shin

07.04.2026

recensie

Against Erasure: Remembering Otherwise – Positions: Unearthing at Stroom Den Haag

Maria Chiara Miccoli

01.04.2026

recensie

metropolis m

‘No hay futuro sin futuro indigena’ (‘There is no future without indigenous future’) – Talking to Sara Flores who is representing Peru at the Venice Biennale

Beyond Collateral Status – Palestinian Presence at the Venice Biennale

Alternating Rhythms – OFFSPRING’s Constant Ballads at De Ateliers

The Flesh is Weak – 8 Favourites from the 61st Venice Biennale

To look again to the grandparents / volver a ver a los abuelos – Techno-Ancestrality IMPAKT Festival & exhibition (still open)

Frustrating the Infrastructure – The Venice Biennale 2026 Strike

Held in mid-air, with nothing to rely on – Rosalind Nashashibi’s feelings of un-homing in her show Stones at KM21

News

The bag and the spear – reflections on Ursula K. Le Guin’s The Carrier Bag Theory of Fiction

‘Sustainability in and of itself is an empty signifier’ – in conversation with Jeff Diamanti and Colin Sterling on sustainability, art and heritage

Recensies

Alternating Rhythms – OFFSPRING’s Constant Ballads at De Ateliers

To look again to the grandparents / volver a ver a los abuelos – Techno-Ancestrality IMPAKT Festival & exhibition (still open)

Held in mid-air, with nothing to rely on – Rosalind Nashashibi’s feelings of un-homing in her show Stones at KM21

Beyond Filling in the Gaps – Practicing Freedom and Refusal at Metro54

Collapse and Emergence – At the End(s) of the World: The Ground is Shifting at Garage Rotterdam

Against Erasure: Remembering Otherwise – Positions: Unearthing at Stroom Den Haag

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